137 Royalty-Free Audio Tracks for "Wolf Fifths"

A mean fifth (sine waves of 300 Hz and 448.6Hz) followed by a wolf fifth (300 Hz and 459.37Hz); intervals occur in quarter-comma meantone temperament.

*Wolf fifth on C = G- (Ben Johnston's notation). 40:27 = 680.45 cents. Limit: 5-limit.

1st release date: 1938 1st recording date: 29 August 1937 Place of recording: EMI Studio No.1, Abbey Road, London (United Kingdom) Author(s)/Composer(s): Hugo Wolf (1860-1903) Lyricist(s): Robert Reinick (1805-1852) Music arranger(s): none Conductor: none Performer(s): Tenor: Helge Rosvaenge (1897-1972), Pianoforte: Gerald Moore (1899-1987) Vocal range: Tenor with pianoforte accompaniment Title/Work: Gesellenlied Content: - Genre(s): Tone poem

*Diminished fifth on C = G♭. Equal-tempered: 26/12:1 = 600 cents. MIDI pitch bend: none

Parallel fifths from German sixth resolution in Mozart - Symphony K.453.

Just augmented fifth in just C scale: E♭ and B.

MIDI rendering of a passage from the madrigal "O voi che sospirate a miglior noti" by Renaissance composer Luca Marenzio (c.1553–1599), bars 35–41. Illustrating a striking use of chromaticism in a progression through the whole en:circle of fifths. MIDI produced with Lilypond.

Typical example of horn fifths from the finale of Beethoven's 9th Symphony

Just perfect fifth on G = D. 3:2 × 3:2 = 1403.91 (203.91) cents. Midi pitch bend on 80,64 for 701.953125 cents and 32,65 for 1403.910002 cents.

Melodic perfect fifth descending.

Just perfect fifth below A = D-. 3:2 = 701.96 cents. As MIDI.

Melodic perfect fifth ascending.

Passage gegen Ende des Nocturne op.37,2: Harmonscher Schnelldurchlauf des Quintenzirkels

Typical example of horn fifths from the finale of Beethoven's 9th Symphony

*41-TET perfect fifth on C = G?. Equal-tempered: 224/41:1 = 702.44 cents. MIDI pitch bend: 100,64

*Quarter-comma meantone perfect fifth on C. 3:2÷(81:80)1/4 = 696.58 cents.

IV-V-I chord progression in C. MIDI file Progression d'accords. Fichier midi.

*Classic diminished fifth on C = G♭. 36:25 = 631.28 cents. Limit: 5-limit. MIDI pitch bend: 1,74 MIDI.

*Diminished fifth tritone (Pythagorean diminished fifth) on C = G♭-. 1024:729 = 588.27 cents. Limit: 3-limit. MIDI pitch bend: 32,92 on P4

*Septimal diminished fifth??? on C.  ?/? = 658.50 cents. Limit: 7-limit.

1st release date: 1936 1st recording date: 1935 Composer: Hugo Wolf (1860-1903) Lyricists: Eduard Mörike (1804-1875) Performers: Alexander Kipnis (Bass) (1891-1978), Coenraad V. Bos (Pianoforte) (1875-1955) Work: Um Mitternacht Music genre: Tone poem

Label: His Master's Voice Cat. no.: DB 2706 Order number: 2RA 858 Matrix/StamperID: 2RA858 -I- 1st release date: 1936 1st recording date: 4 November 1935 Place of recording: unknown Author(s)/Composer(s): Hugo Wolf (1860-1903) Lyricist(s): Eduard Mörike (1804-1875) Performer(s): Herbert Jansen, Baritone (1892-1965) and Michael Raucheisen, Pianoforte (1869-1984) Vocal range: Baritone solo with pianoforte accompaniment Title/Work: Vergangenheit Content: The Hugo Wolf Society Vol. 6 Genre(s): Tone poem Comments: RCM and ELP

1st release date: 1933 1st recording date: 31 May 1932 Composer: Hugo Wolf (1860-1903) Lyricist: Johann Wolfgang von Goethe (1749-1832) Performers: John McCormack (Tenor) (1884-1945), Edwin Schneider (Pianoforte) (1874-1958) Work: Beherzigung Content: Ach, was soll der Mensch verlangen?

1st release date: 1933 1st recording date: 31 May 1932 Composer: Hugo Wolf (1860-1903) Lyricist: Johann Wolfgang von Goethe (1749-1832) Performers: John McCormack (Tenor) (1884-1945), Edwin Schneider (Pianoforte) (1874-1958) Work: Ganymed Content: Wie im Morgenglanze

*Wolf fourth on C = F+ (Ben Johnston's notation). 27:20 = 519.55 cents. Limit: 5-limit.

Sound of steel chisel 5th (fifth)

Compound just perfect fifth on C. Also the 833 cents scale step 16 (2). 1901.96 cents. 3/1

1st release date: 1936 1st recording date: 1935 Composer: Hugo Wolf (1860-1903) Lyricists: Johann Wolfgang von Goethe (1749-1832) Performers: Alexander Kipnis (Bass) (1891-1978), Coenraad V. Bos (Pianoforte) (1875-1955) Work: Grenzen der Menschheit (Part 2) Music genre: Tone poem

1st release date: 1933 1st recording date: 19 November 1932 Composer: Hugo Wolf (1860-1903) Lyricist: Johann Wolfgang von Goethe (1749-1832) Performer: Alexandra Trianti (soprano) (1901-1977), Coenraad V. Bos (pianoforte) (1875-1955) Work: (a) Die Spröde - (b) Die Bekehrte Genre: Tone poem

1st release date: 1936 1st recording date: 1935 Composer: Hugo Wolf (1860-1903) Lyricists: Johann Wolfgang von Goethe (1749-1832) Performers: Alexander Kipnis (Bass) (1891-1978), Coenraad V. Bos (Pianoforte) (1875-1955) Work: Grenzen der Menschheit (Part 1) Music genre: Tone poem

1st release date: 1933 1st recording date: 19 November 1932 Composer: Hugo Wolf (1860-1903) Lyricist: Johann Wolfgang von Goethe (1749-1832) Performer: Alexandra Trianti (soprano) (1901-1977), Coenraad V. Bos (pianoforte) (1875-1955) Work: (a) Blumengruss - (b) Gleich und gleich - (c) Frühling übers Jahr Genre: Tone poem

*Just diminished fifth on C = G♭ (Ben Johnston's notation). 36:25 = 631.28 cents. Limit: 5-limit.

*Lesser septimal tritone on C = G♭ (Ben Johnston's notation). 7:5 = 582.51 cents. Limit: 7-limit.

*53-TET perfect fifth on C = G?. Equal-tempered: 231/53:1 = 701.89 cents. MIDI pitch bend: 77,64

Tritave dyad (interval)

*Fifty-first harmonic on C = G♯. Just: 51/32 = 806.91 cents. Equal-tempered: 28/12:1 = 800 cents. Limit: 17-limit. MIDI pitch bend: 27,66

*Just tritone on C = G♭- (Ben Johnston's notation). 64/45 = 609.78 cents. Limit: 5-limit. MIDI pitch bend: 16,67

*Hundred-ninety-fifth harmonic on C = G. Just: 195:128 = 728.80 cents. Limit: 13-limit. MIDI pitch bend: 27,73

*Bohlen-Pierce fifth on C. 75:49 = 736.93 cents. Limit: 7-limit. MIDI pitch bend: 105,75

*29-TET perfect fifth on C = G?. Equal-tempered: 217/29:1 = 703.45 cents. MIDI pitch bend: 13,65

*Bohlen-Pierce scale: interval between C and F, lesser septimal tritone on C = F. Just: 7/5 = 582.51 cents. Limit: 7-limit. MIDI pitch bend: 52,58

*Two-hundred-seventh harmonic on C = G♯+. Just: 207 : 128 = 832.18 cents. Limit: 23-limit. MIDI pitch bend: 38,74

*Three-hundred-forty-third harmonic on C = G♭+. Just: 343:256 = 506.48 cents. Limit: 7-limit. MIDI pitch bend: 9,66

*Perfect fifth on C = G. Equal-tempered: 27/12:1 = 700 cents. MIDI pitch bend: 0,64

1st recording date: 1935? 1st release date: 1936? Composer: Hugo Wolf (1860-1903) Lyricists: Walter Robert-Tornow (1852-1895) based on a text in italian by Michelangelo Buonarroti (1475-1564) Performers: Alexander Kipnis (Bass) (1891-1978), Coenraad V. Bos (Pianoforte) (1875-1955) Work: Alles endet, was entstehet

1st release date: 1936 1st recording date: 1935 Composer: Hugo Wolf (1860-1903) Lyricists: Walter Robert-Tornow (1852-1895) based on a text in italian by Michelangelo Buonarroti (1475-1564) Performers: Alexander Kipnis (Bass) (1891-1978), Coenraad V. Bos (Pianoforte) (1875-1955) Work: Fühlt meine Seele (Fühlt meine Seele das ersehnte Licht) Music genre: Tone poem

1st recording date: 1935? 1st release date: 1936? Composer: Hugo Wolf (1860-1903) Lyricists: Walter Robert-Tornow (1852-1895) based on a text in italian by Michelangelo Buonarroti (1475-1564) Performers: Alexander Kipnis (Bass) (1891-1978), Coenraad V. Bos (Pianoforte) (1875-1955) Work: Wohl denk' ich oft (Wohl denk ich oft an mein vergangnes Leben)

*Tritave (compound just perfect fifth) on C = G'. 3:1 = 1901.96 cents. Limit: 3-limit. MIDI pitch bend: 80,64

*Septimal meantone perfect fifth on C. = 696.88 cents.

*Just perfect fifth on C = G. 3:2 = 701.96 cents. Limit: 3-limit. MIDI pitch bend: 80,64 MIDI file.